EL MUNDO EN QUE VIVIMOS: UNA NOVELA CONTRA LA CODICIA de ANTHONY TROLLOPE

Ficha técnica

• EL MUNDO EN QUE VIVIMOS: UNA NOVELA CONTRA LA CODICIA
• ANTHONY TROLLOPE
• Número de páginas: 864
• Idioma: CASTELLANO
• Formatos: Pdf, ePub, MOBI, FB2
• ISBN: 9788417743185
• Editorial: ATICO DE LOS LIBROS
• Año de edición: 2019

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Una magistral novela contra la corrupción y la codicia
Augustus Melmotte, un banquero sin escrúpulos recién llegado a Londres, vende a sus inversores un producto sin valor y crea una burbuja que hace subir el precio de las acciones para acaparar beneficios. Esta historia, que podría pasar hoy, es la que se cuenta en esta novela de Anthony Trollope. El mundo en que vivimos está ambientada en el Londres de finales del siglo xix y es una obra maestra, reconocida por la crítica como la mejor novela de Trollope. Su origen se encuentra en que el autor, tras regresar a Inglaterra de las colonias en 1872, se quedó horrorizado por la inmoralidad y deshonestidad que encontró en su país. Indignado, se sentó a escribir El mundo en que vivimos, y nada escapó a la sátira de su pluma: ni los políticos, ni los banqueros, ni el mundillo literario, ni los apostadores, ni siquiera el sexo.En un mundo de sobornos, venganzas y en el que las herederas se ganan como fichas de casino, los personajes de Trollope personifican los vicios de su sociedad, que son también los de la nuestra.
«Trollope no escribía para la posteridad, sino para su tiempo y momento, pero ese es precisamente el tipo de escritores a los que la posteridad prefiere.»Henry James
«Su sutil descripción de las relaciones humanas y del amor, así como del...

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Messengers: Who We Listen To, Who We Don't, and Why. Stephen Martin, Joseph Marks

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• Stephen Martin, Joseph Marks
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Berserk Volume 40. Kentaro Miura

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• Berserk Volume 40
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• Page: 176
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• ISBN: 9781506714981
• Publisher: Dark Horse Comics

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Deep within the nightmare realm of Casca's dreams, Schierke and Farnese battle endless horrors to reach the dark secret that has imprisoned Casca's mind for so long. But the dreamworld dangers are no mere phantasms of the unconscious--they are a lethal reality to the intruders from the material world! From creator Kentaro Miura comes the latest chapter of Berserk, a sprawling adult fantasy epic of horror, humor, and fierce imagination and the inspiration for the wildly popular anime series.

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From creator Kentaro Miura comes Berserk, a sprawling adult fantasy epic of 5.14"W x 7.23"H x 0.56"D (13.1 x 18.4 x 1.4 cm) | 6 oz (170 g) | 40 per carton . In 1990, the first volume Berserk was released with a relatively limited success. Volume 40 was the highest selling manga volume in Japan this past
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Created by Kentaro Miura, Berserk is manga mayhem to the extreme - violent, horrifying, With over 40 volumes and counting stay up on the newest releases.

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Michael Fried and Philosophy: Modernism, Intention, and Theatricality. Mathew Abbott

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ISBN: 9781138679801 | 276 pages | 7 Mb

• Michael Fried and Philosophy: Modernism, Intention, and Theatricality
• Mathew Abbott
• Page: 276
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Michael Fried and Philosophy: Modernism, Intention, and Theatricality by Mathew Abbott This volume brings philosophers, art historians, intellectual historians, and literary scholars together to argue for the philosophical significance of Michael Fried’s art history and criticism. It demonstrates that Fried’s work on modernism, artistic intention, the ontology of art, theatricality, and anti-theatricality can throw new light on problems in and beyond philosophical aesthetics. Featuring an essay by Fried and articles from world-leading scholars, this collection engages with philosophical themes from Fried’s texts, and clarifies the relevance to his work of philosophers such as Ludwig Wittgenstein, Stanley Cavell, Morris Weitz, Elizabeth Anscombe, Arthur Danto, George Dickie, Immanuel Kant, Friedrich Schiller, G. W. F. Hegel, Arthur Schopenhauer, Friedrich Nietzsche, Denis Diderot, Maurice Merleau-Ponty, Roland Barthes, Jacques Rancière, and Søren Kierkegaard. As it makes a case for the importance of Fried for philosophy, this volume contributes to current debates in analytic and continental aesthetics, philosophy of action, philosophy of history, political philosophy, modernism studies, literary studies, and art theory.

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Phoebevon Held - ‎2017 - Foreign Language Study The Art Story: Critic - Rosalind Krauss
Rosalind Krauss' early writings from the mid-1960s were informed by the perspectives of critics like Greenberg and the young Michael Fried, who believed that technically-proficient modes of painterly abstraction were the greatest artistic achievements of the Modern era. “With `modernism,'” Krauss wrote in “A View of  After the Beautiful: Hegel and the Philosophy of Pictorial Modernism
Robert B. Pippin, After the Beautiful: Hegel and the Philosophy of PictorialModernism, University of Chicago Press, 2014, 159pp., $30.00 (hbk), ISBN thinks about modernism as a philosophical and aesthetic problem): the art historians T. J. Clark and Michael Fried and the philosopher Martin Heidegger. Amazon.com: Michael Fried and Philosophy: Modernism, Intention
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It demonstrates that Fried's work on modernism, artistic intention, the ontology of art, theatricality, and anti-theatricality can throw new light on problems in and beyond philosophical aesthetics. Featuring an essay by Fried and articles from world-leading scholars, this collection engages with philosophical themes from Fried's  Michael Fried and Philosophy: Modernism, Intention, and Theatricality
Michael Fried and Philosophy: Modernism, Intention, and Theatricality è un libro a cura di Mathew AbbottTaylor & Francis Ltd nella collana Routledge Research in Aesthetics: acquista su IBS a 111.12€! Michael Fried and Philosophy: Absorption, Theatricality, and
Michael Fried and Philosophy: Absorption, Theatricality, and Modernism,Abbott, Mathew (ed),^Available December 2017^,Routledge. Crisis of the Object: The Architecture of Theatricality - Google Books Result
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MICHAEL FRIED. “Art and Objecthood” (1967). Edwards's journals frequently explored and tested a meditation he seldom allowed to reach print; if all the world were annihilated, painting and modernist sculpture that literalist art defines or locates the position it aspires to .. It is theatricality that, whatever the differences. Heffernan 1 STAGING ABSORPTION AND TRANSMUTING THE
Everyday,” Critical Inquiry 33 [Spring 2007]: 495-526), Michael Fried suggestively amplifies the account Theatricality but also in two later books, Courbet'sRealism (1990) and Manet's Modernism. (1996), Fried .. so absorbed in their reading that they pay no attention to each other, and the boy's absorption is particularly  Stage Fright: Modernism, Anti-Theatricality, and Drama - Google Books Result
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• Norme NF EN 15232-1 Performance énergétique des bâtiments - Partie 1 : impact de l'automatisation, de la régulation et de la gestion technique Modules M10-4, 5, 6, 7, 8, 9, 10
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